Jean-Auguste Dominique Ingres

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..


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Jean-Auguste Dominique Ingres Portrait of Liwi oil


Portrait of Liwi
Painting ID::  53162
Portrait of Liwi
mk227 115x90cm 1804-1805
mk227 115x90cm 1804-1805
   
   
     

Jean-Auguste Dominique Ingres Mis liwi oil


Mis liwi
Painting ID::  53164
Mis liwi
mk227 oil on canvas 99.5x64.5cm 1806
mk227 oil_on_canvas 99.5x64.5cm 1806
   
   
     

Jean-Auguste Dominique Ingres Ms Markte oil


Ms Markte
Painting ID::  53165
Ms Markte
mk227 93x74cm 1826
mk227 93x74cm 1826
   
   
     

Jean-Auguste Dominique Ingres Maeki oil


Maeki
Painting ID::  53166
Maeki
mk227 Oil on canvas 1811
mk227 Oil_on_canvas 1811
   
   
     

Jean-Auguste Dominique Ingres Yusifu oil


Yusifu
Painting ID::  53167
Yusifu
mk227 75.2x58.1cm 1810
mk227 75.2x58.1cm 1810
   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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